OK, maybe with one exception, which I’ll explain. Moreover, the costumes reflect the characters and in subtle ways that don’t hit you over the head. I’m not an expert in 1920s fashion, but in my cursory perusal of catalogs and photos, oh yeah, she nailed it here. How women look and their decorum was based on their clothes.” What was beautiful then is different from now. I found myself digging up and looking at old photographs. I love fabrics and trying to re-create the way they moved. In Times Square Chronicles, Donnelly said: She must have some mad shopping skillz! Plus, she knew what she was looking for and what she was trying to achieve. I also borrowed something from England.” This is stunning when you see how lovely the show looks and how well the clothes evoke the period. The whole process was about two months.”Īs a result, Donnelly “ended up buying a lot of vintage clothes on. We only had three weeks to shoot the movie and pre-production was three before that. Still, the book’s story makes for an entertaining frock flick.Īnd goshdarnit, this is a pretty little movie! Apparently, costume designer Candice Donnelly (who has mostly worked in theater) hardly built any full costumes specifically for this production, due to time and budget limitations. However, the school was in Los Angeles, not New York City (Denishawn later opened a branch in the Bronx, NY, in 1927, not that Brooks attended), so the central premise of this movie is false. She was a dancer and attended the Denishawn School of Dancing modern dance company in 1922, when she was 15. Accompanied by a chaperone, a 15-year-old girl travels to New York to study with a dance troupe. There are some elements of truth - Louise Brooks was from Kansas and was sexually molested as a girl. Speaking of accuracy, the story comes from a historical fiction novel by Laura Moriarty (Julian Fellowes adapted the screenplay). ![]() Set mostly in 1922, the period details are beautiful and fairly accurate, although some of the press indicates that the movie was made on a tight budget. The movie feels more like a TV movie than made for the big screen, so nothing is lost by watching it streaming. The Chaperone had a brief theatrical release in March 2019, then was made available on PBS Passport online, and finally aired on PBS Masterpiece in November 2019. ![]() While Brooks is later to become a silent-film star and we know her story, Norma’s complicated past and secret-filled present drive the action here. She’s a naive Kansas wife, Norma, who volunteers to accompany 16-year-old Louise Brooks to attend dance school in New York City. West End Credits as director/choreographer: The Drowsy Chaperone, The Book of Mormon, Dreamgirls, and Aladdin.Elizabeth McGovern stretches out of her typecasting as Cora, Countess of Grantham, and returns to somewhat more complicated roles as the central character in The Chaperone (2019). Other Broadway credits as director/choreographer: The Prom (2019 Tony® nomination for Best Direction), Mean Girls (2018 Tony®nominations for Best Direction and Choreography), Tuck Everlasting, Something Rotten! (2015 Tony®, Drama Desk & Outer Critics Circle Award nominations for Best Direction and Choreography) Elf: The Musical The Drowsy Chaperone (2006 Tony®, Drama Desk nominations for Best Direction and Choreography, Outer Critics Circle nomination for Best Choreography) Monty Python’s Spamalot directed by Mike Nichols (2005 Tony®, Drama Desk, Outer Critics Circle nominations for Best Choreography). Represented on Broadway as director/choreographer of Disney’s Aladdin (2014 Tony®, Drama Desk & Outer Critics Circle Award nominations for Best Choreography), and co-director and choreographer of The Book of Mormon (2011 Tony®, Drama Desk & Outer Critics Circle Awards for co-director and nominations in the same categories for Choreography) Olivier award winner for Best Choreography.
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